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Deccan Chronicle | An anatomy of fate: two lives, one story

https://www.estaciondelcoleccionista.com/vtc7dziho "Like the color of my skin Or the day that I grow old https://dna-awakening.org/8427dft My life is made of patterns That can scarcely be controlled" https://fcstruga.com/uncategorized/1pdp7ppvi4v (Patterns, Simon and Garfunkel, 1966).

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https://www.mmjreporter.com/b20urfwx9-43749 Is life made of chaos or patterns too big for us to discern? Much rests on divine sleight in playwright Poile Sengupta's Alipha, as a story slowly unravels through the eyes of two people. She teaches the alphabet (alipha) to children, drawing them out in the sand with a stick in a schoolroom that doesn't even contain a blackboard. He is the son of a politician, crudely sensual, perhaps violent and thoroughly entitled. These two people have nothing in common although their lives are hopelessly intertwined. In Alipha, however, there are no teary-eyed meetings or fiery crisis points: life goes on, telling its stories, leaving us with more questions than answers.

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