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https://asperformance.com/uncategorized/w37paiozsfo 13-Apr-2018

Deccan Chronicle | An anatomy of fate: two lives, one story

https://tankinz.com/t1blhpz "Like the color of my skin Tramadol Uk Order Or the day that I grow old My life is made of patterns https://giannifava.org/ghwpgbeoy6 That can scarcely be controlled" https://www.worldhumorawards.org/uncategorized/npg0zyrw4 (Patterns, Simon and Garfunkel, 1966).

https://wasmorg.com/2024/03/07/hzpg2fhlgq

Is life made of chaos or patterns too big for us to discern? Much rests on divine sleight in playwright Poile Sengupta's Alipha, as a story slowly unravels through the eyes of two people. She teaches the alphabet (alipha) to children, drawing them out in the sand with a stick in a schoolroom that doesn't even contain a blackboard. He is the son of a politician, crudely sensual, perhaps violent and thoroughly entitled. These two people have nothing in common although their lives are hopelessly intertwined. In Alipha, however, there are no teary-eyed meetings or fiery crisis points: life goes on, telling its stories, leaving us with more questions than answers.

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