Deccan Chronicle | An anatomy of fate: two lives, one story

"Like the color of my skin
Or the day that I grow old
My life is made of patterns
That can scarcely be controlled"
(Patterns, Simon and Garfunkel, 1966).

Is life made of chaos or patterns too big for us to discern? Much rests on divine sleight in playwright Poile Sengupta's Alipha, as a story slowly unravels through the eyes of two people. She teaches the alphabet (alipha) to children, drawing them out in the sand with a stick in a schoolroom that doesn't even contain a blackboard. He is the son of a politician, crudely sensual, perhaps violent and thoroughly entitled. These two people have nothing in common although their lives are hopelessly intertwined. In Alipha, however, there are no teary-eyed meetings or fiery crisis points: life goes on, telling its stories, leaving us with more questions than answers.

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Jagriti is a Performance Arts space dedicated to Theatre, Music, Dance and Comedy. Founded in 2011 by Arundhati and Jagdish Raja, the space has hosted several productions from India and around the world. A 200-seat theatre, built around a full-thrust stage, it is fully equipped to cater to both artistes and audience. The main stage is designed for intimate performances with adjoining spaces for informal lectures and gatherings. Jagriti is owned and operated by the not-for-profit ART Foundation, a registered charitable trust.

The Rooftop - above the main auditorium is an open-to-sky space with a staging area that can accommodate about 50 people. A raised and walled off platform can work as a perfect area for puppet theatre. The Rooftop has a restroom and a pantry. 

The Terrace - alongside the auditorium, the Terrace can accommodate about 20 people as an informal gathering area.

Lumbini - extending out from the foyer, Lumbini has a stage and an open-to-sky terraced space for about 80 people.