Event Collections

Celebrating the Birth Anniversary of Bhagat Singh

India After Bhagat Singh is a powerful, thought-provoking solo play that examines the shifting landscape of India following the martyrdom of the legendary freedom fighter, Bhagat Singh.

Through a dynamic solo performance, the play explores the profound changes the nation has undergone since his death and, more importantly, breathes new life into his revolutionary philosophy. By reflecting on modern-day socio-political scenarios, the play demonstrates that Bhagat Singh's core ideals—justice, equality, and true freedom—remain incredibly relevant in today’s India. It acts as both a mirror to contemporary society and an urgent call to remember the true spirit of the nation's struggle for independence.

Conceptualized, designed, directed, and enacted entirely by the acclaimed artist Shubham Tiwari, making it a deeply personal and cohesive theatrical piece.

National Acclaim: The production has been staged across the country, garnering high praise and critical appreciation for its intense, "goosebumps-raising" impact.

Award-Winning Artistry: Shubham Tiwari's groundbreaking work on this project earned him the prestigious Hyundai Art for Hope 2024 Grant, making him one of the very first theatre practitioners to receive this honor.

“Mombati-Kaar” is the poignant story of a rural Rajasthani candle maker, Mombati-Kaar, who moves with his family to the bustling city of Mumbai, lured by the dreams of prosperity and better opportunities for his children. However, the harsh reality of urban life and moral compromises he’s forced to make soon unravel his family’s happiness. As the family’s struggles deepen, Mombati-Kaar begins to profit cynically by selling candles during public tragedies, losing his moral compass in the process. The play is a heartfelt exploration of ambition, poverty, moral decay, familial bonds, and the human cost of surviving in a cruel, profit-driven world.

“Mombati-Kaar” is the poignant story of a rural Rajasthani candle maker, Mombati-Kaar, who moves with his family to the bustling city of Mumbai, lured by the dreams of prosperity and better opportunities for his children. However, the harsh reality of urban life and moral compromises he’s forced to make soon unravel his family’s happiness. As the family’s struggles deepen, Mombati-Kaar begins to profit cynically by selling candles during public tragedies, losing his moral compass in the process. The play is a heartfelt exploration of ambition, poverty, moral decay, familial bonds, and the human cost of surviving in a cruel, profit-driven world.

"MASTERPIECE ?" It is an adaptation of the play "ART" By Yesmina Raza .

When a successful man spends a fortune on a piece of 'MASTERPIECE' modern art, he expects admiration. Instead, he sparks a hilarious and explosive debate that pushes a decades-old friendship to its breaking point.

What begins as a casual conversation soon turns into an unpredictable rollercoaster of sharp wit, outrageous humour, uncomfortable truths, and unexpected revelations. As opinions collide and egos clash, one simple question remains...

Is it really about the painting?

A razor-sharp contemporary Hindi adaptation of one of the world's most celebrated plays, this production is a laugh-out-loud comedy that holds a mirror to friendship, pride, and the stories we tell ourselves.

Laddu is a romantic comedy about Sharad and Surbhi, who marry under family pressure and gradually stop communicating. By chance, they begin talking over the phone under fake names Appu and Jugnu, without realising they are speaking to their own spouse. As they unknowingly fall in love again, the story unfolds into a delightful mix of chaos, laughter, and warmth.

Laddu is a romantic comedy about Sharad and Surbhi, who marry under family pressure and gradually stop communicating. By chance, they begin talking over the phone under fake names Appu and Jugnu, without realising they are speaking to their own spouse. As they unknowingly fall in love again, the story unfolds into a delightful mix of chaos, laughter, and warmth.

Confessions from a Mental Asylum follows the raw, unsettling, and darkly humorous journey of Maverick, a man whose only crime is refusing to live a life shaped by monotony and social conditioning. An absurdist soul with an instinctive intolerance for pretense, Maverick navigates the world with a brutal, unfiltered honesty that society cannot or will not  tolerate. His refusal to conform becomes the very reason he is branded “unstable” and confined to a mental asylum (There are other reasons too that will be revealed in the play).

Inside the asylum’s walls, Maverick encounters a world that is ironically far more absurd than he is. Through fragmented memories, surreal conversations, and sharply honest monologues, he unravels the thin line between sanity and insanity. The institution meant“fix” him becomes a mirror reflecting society’s fear of truth, individuality, and unpredictability.

The play blends absurdism, introspection, and dark wit, immersing the audience in Maverick’s confessions, sometimes chaotic, sometimes painfully clear. Confessions from a Mental Asylum challenges the audience to question the conventional sought of expression in communication to society and ourselves, should they be re-evaluated or their existence is a Burden.

There may be as many definitions of love as there are people who experience it. Love arrives at different ages, in different guises, knocking each time as though for the first time — and each time, leaving behind something different.

The journey between two people unfolds through many layers, each carrying an experience of its own. Somewhere along the way, knots may form, and begin to take an unfamiliar shape.

Perhaps all a bond needs is a little room — to breathe, to exist. For before we can make sense of another, there is the quieter, more difficult question of making sense of ourselves.

This play is presented by Abhivyanjana Foundation, an arts and impact collective, committed to telling stories that matter.

There may be as many definitions of love as there are people who experience it. Love arrives at different ages, in different guises, knocking each time as though for the first time — and each time, leaving behind something different.

The journey between two people unfolds through many layers, each carrying an experience of its own. Somewhere along the way, knots may form, and begin to take an unfamiliar shape.

Perhaps all a bond needs is a little room — to breathe, to exist. For before we can make sense of another, there is the quieter, more difficult question of making sense of ourselves.

This play is presented by Abhivyanjana Foundation, an arts and impact collective, committed to telling stories that matter.

What do we carry with us when we leave home?

Photographs.

Half-written letters.

The smell of a familiar room.

And five grains of sugar. Just enough to bring an entire childhood back.

Shakkar Ke Paanch Daane is a poetic journey through memory, childhood, family and the quiet ache of growing up.

As memories begin to take shape around him, Rajkumar finds himself confronting the things he has spent years trying to outrun: the weight of the past, the fear of becoming ordinary, the things left unsaid, and the quiet ways in which we lose and sometimes find ourselves.

Between what happened and what we remember happening lies a world of mothers, friends, departures, dreams and the places that made us.

A world where a boy can still run through the seasons, where a letter can hold a lifetime, and where the past waits; not to be changed, but to be understood.

Tender, playful and deeply human, Moh Maya Productions' Shakkar Ke Paanch Daane about the sweetness of memory, the weight of what remains unsaid, and the people we become when we finally look back, and asks a simple question:

When we grow up, what part of us stays behind?

What do we carry with us when we leave home?

Photographs.

Half-written letters.

The smell of a familiar room.

And five grains of sugar. Just enough to bring an entire childhood back.

Shakkar Ke Paanch Daane is a poetic journey through memory, childhood, family and the quiet ache of growing up.

As memories begin to take shape around him, Rajkumar finds himself confronting the things he has spent years trying to outrun: the weight of the past, the fear of becoming ordinary, the things left unsaid, and the quiet ways in which we lose and sometimes find ourselves.

Between what happened and what we remember happening lies a world of mothers, friends, departures, dreams and the places that made us.

A world where a boy can still run through the seasons, where a letter can hold a lifetime, and where the past waits; not to be changed, but to be understood.

Tender, playful and deeply human, Moh Maya Productions' Shakkar Ke Paanch Daane about the sweetness of memory, the weight of what remains unsaid, and the people we become when we finally look back, and asks a simple question:

When we grow up, what part of us stays behind?

“When the law demands justice, but humanity demands mercy… whose side will you take?”

What happens when a son chooses to end his father’s unbearable suffering—and is charged with murder?

FANDI is a gripping Hindi courtroom drama that takes you into the heart of a deeply emotional and morally challenging case. Fandi, a poor truck driver, watches his terminally ill father suffer with no hope of recovery. When his father makes one final request, Fandi makes a decision that changes both their lives forever.

Now behind bars and facing the possibility of the death penalty, Fandi’s fate rests in the hands of a determined lawyer. As the courtroom battle unfolds, questions of law, justice, morality, compassion and human dignity come face to face.

Was Fandi a murderer—or a son who chose compassion over helplessness?

FANDI is not just a courtroom drama. It is a powerful journey that challenges you to question what is right, what is legal, and what it truly means to be human.

Come witness the case. Hear the arguments. And decide for yourself.

FANDI — When Justice and Humanity Stand on Opposite Sides.

“When the law demands justice, but humanity demands mercy… whose side will you take?”

What happens when a son chooses to end his father’s unbearable suffering—and is charged with murder?

FANDI is a gripping Hindi courtroom drama that takes you into the heart of a deeply emotional and morally challenging case. Fandi, a poor truck driver, watches his terminally ill father suffer with no hope of recovery. When his father makes one final request, Fandi makes a decision that changes both their lives forever.

Now behind bars and facing the possibility of the death penalty, Fandi’s fate rests in the hands of a determined lawyer. As the courtroom battle unfolds, questions of law, justice, morality, compassion and human dignity come face to face.

Was Fandi a murderer—or a son who chose compassion over helplessness?

FANDI is not just a courtroom drama. It is a powerful journey that challenges you to question what is right, what is legal, and what it truly means to be human.

Come witness the case. Hear the arguments. And decide for yourself.

FANDI — When Justice and Humanity Stand on Opposite Sides.

A 100 minute concert performance of some of the greatest Latin jazz and music hits from around the world performed by some of the finest Latin and jazz musicians around - a heady tequila shot of latin percussion and the beautiful sound and tones of the Spanish nylon guitars playing a variety of styles in Rhumba, Samba, Bossanova, Cha Cha, Bolero and more.

The mind seeks familiarity over newness, and family becomes our first place of comfort and safety. But what if this familiarity is shaped by pain?

What if the same patterns repeat in every relationship, mistaken for security?

Science says genes and cells never truly die, they live on through generations.

But what if, beyond biology, it is the social structure that shapes us?

This is a story of generations, of long-suppressed truths, of wounds conceived as love.

Come, let’s bid a farewell to all the dramas and traumas inherited, carried forward, and lived through generations.

The mind seeks familiarity over newness, and family becomes our first place of comfort and safety. But what if this familiarity is shaped by pain?

What if the same patterns repeat in every relationship, mistaken for security?

Science says genes and cells never truly die, they live on through generations.

But what if, beyond biology, it is the social structure that shapes us?

This is a story of generations, of long-suppressed truths, of wounds conceived as love.

Come, let’s bid a farewell to all the dramas and traumas inherited, carried forward, and lived through generations.