The Bangalore School of Music Chamber Orchestra is one of the best Chamber Orchestras in the country. Led by Narayanaswamy ‘N.S’ or Maestro as he is known, BSMCO has in 20 years, enthralled audiences in Bangalore and cities of India with masterpieces from the Baroque to popular music.Read More
David is a confused I.T. engineer from Scotland, who has been living and working in Bangalore for the last eight years. In a hopefully funny way, he talks about being a foreigner in India, Scotland and life in general. David is 49. All profits are being donated to CUPA.Read More
Reaching international acclaim for their new, ground-breaking performance style, Massive Vibe Live!'s powerful lyrics, music, magnetising visuals and dance make for an unforgettable experience that enlivens empowerment, peace and unity for all.Read More
Becca and Howie have everything a couple could want, until their world turns upside down. A play about relationships that every family can relate to, filled with drama and poignant humour at the same time. Rabbit Hole charts a bittersweet search for comfort and for a path that will lead a couple back into the light of day. A beautiful, insightful and exquisitely human play crafted by winner of the 2007 Pulitzer Prize, David Lindsay-Abaire laced with wit, compassion and searing honesty.Read More
Brhannala is one of Veenapani Chawla's stunning creations. Girish Karnad sums it up most aptly when he speaks of Veenapani Chawla - "There is no one like Veenapani Chawla in Indian Theatre. There is no other group like her Adishakti - certainly there hasn't been any since what we call 'Modern Indian Theatre' began". Read More
Neelam Mansingh is one of the strongest voices in Indian theatre for decades now. Every play of hers has been received with great admiration and awe even, across the country. Every big fest at Ranga Shankara naturally features her work and for EQUAL, The License is tailor made - the story explores a woman's changing identity as she slips into a man's job.Read More
This retelling of the Panchatantra is an exciting new exploration of the classic Panchatantra stories - the Blue Jackal, The Monkey and the Crocodile and The Monkey and the Wedge. Filled with shadow play, music, storytelling and physical theatre, this show will definitely excite you to revisit these stories if you have grown up reading them and is a great way to introduce children to the wonderful tales and characters of the Panchatantra. Read More
Synopsis : "Writing is a difficult profession. Writing a successful novel is even harder. But no one told them that the follow up would be so challenging. When brothers Ashish and Rohan find themselves staring at the cursor on their screens, they are haunted by their editor, deadlines, and the pressures of success. Between Bestsellers is an extraordinary story with hilarious and sometimes heartbreaking twists and turns that is sure to keep audiences guessing. Dealing with thugs, thieves, corruption, angry girlfriends, and successful colleagues makes it awfully difficult to get off the “writer’s block”. Read More
Jagriti is a Performance Arts space dedicated to Theatre, Music, Dance and Comedy. Founded in 2011 by Arundhati and Jagdish Raja, the space has hosted several productions from India and around the world. A 200-seat theatre, built around a full-thrust stage, it is fully equipped to cater to both artistes and audience. The main stage is designed for intimate performances with adjoining spaces for informal lectures and gatherings. Jagriti is owned and operated by the not-for-profit ART Foundation, a registered charitable trust.
The Rooftop - above the main auditorium is an open-to-sky space with a staging area that can accommodate about 50 people. A raised and walled off platform can work as a perfect area for puppet theatre. The Rooftop has a restroom and a pantry.
The Terrace - alongside the auditorium, the Terrace can accommodate about 20 people as an informal gathering area.
Lumbini - extending out from the foyer, Lumbini has a stage and an open-to-sky terraced space for about 80 people.