Event Collections

https://www.mmjreporter.com/cc78vg92q-43749 Ditty's new EP, skin, drops early next year. This is a series of intimate concerts throughout the country before she returns to Berlin. She will be travelling through 10 cities in India, and collaborating with local environmentalists and artists to start important conversations around climate change, sacred ecology, communal regeneration and transformation. In 2020, Ditty had created India's first carbon neutral tour, Make Forests not War. This is her 3rd such tour and is aimed to be low in emissions and pollution + carbon neutral. We hope to plant forests and restore lands as we go.

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Rima Kallingal, along with her troupe of artists interprets and narrates the synchronised and rhythmic moments of the craft and celebrates the unsung efforts of weaving artisans and workers through a new multimedia project that swings between metaverse and the stage performance.

http://www.docstrangelove.com/2023/10/19/x6vqbjb9fw2 Cinematographer Ajay Menon and his team have created visuals where the dance, craft, locations and people are artistically portrayed in unison.

Shot on location in Chendamangalam, the historical weaving centre near Kochi, which was devastated by the 2018 floods, and saw a dramatic revival. Neythe captures various stages of the processes and finds a beautiful rhythm and synchronised movements to celebrate the craft in its finest form.

When the socio-politico-economic fabric is torn by the 'should's and the 'should-not's’, it is important to realise the difference between power and authority. As the playwright himself said "Rifle is the source of all power", it is imperative to see how we perceive "Rifle". Adapted from Utpal Dutt's Rifle, ENAD sets its adaptation in a more contemporary world where history is being tainted as per convenience. As we see the stereotypical oppressor and the oppressed; witness the angst and the anger, we also experience the journey of dilemma, delusion and derivatives. The play envisions to make its audience reflect within.

When the socio-politico-economic fabric is torn by the 'should's and the 'should-not's’, it is important to realise the difference between power and authority. As the playwright himself said "Rifle is the source of all power", it is imperative to see how we perceive "Rifle". Adapted from Utpal Dutt's Rifle, ENAD sets its adaptation in a more contemporary world where history is being tainted as per convenience. As we see the stereotypical oppressor and the oppressed; witness the angst and the anger, we also experience the journey of dilemma, delusion and derivatives. The play envisions to make its audience reflect within.

https://larrylivermore.com/?p=pkfc7m74u6 The drama is a Hindi adaptation of 12 Angry Men, a 1954 teleplay by the American writer Reginald Rose. The play unfolds in India in a room in which 12 individuals on jury duty must decide the conviction of a 19 year old slum dweller being tried for the murder of his father. A cut and dry guilty verdict in a jury-judged murder case is brought into doubt by one lone voice in the shape of a concerned juror. Can he break through the prejudices of the other 11 to force them to take a fresh look at the evidence?

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12 Angry Men is like holding a mirror up to the audience and letting them see the variations of humanity among them. It is real, it is salient and it is timeless.

Karma is a psychological thriller Kannada drama that delves into the complications of human relationships, encompassing marriage, friendship, love, affair, and subconscious indulgences. It unravels how the choices made unconsciously by individuals bear a conscious impact on their lives.

https://fcstruga.com/uncategorized/gfh7p3g9ui The narrative unfolds through two perspectives: one presented by the younger versions of the characters, and the other by their older counterparts. This raises intriguing questions - do they engage in time travel? exist separately in their respective eras? or perhaps, cross paths at some juncture?

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