Media

Jan-2020
Gary: A Sequel to Titus Andronicus by Taylor Mac

THE STORY: In GARY, maverick theater artist Taylor Mac’s singular world view intersects with Shakespeare’s first tragedy, Titus Andronicus. Set just after the blood-soaked conclusion of that sensationally gruesome tale, the years of battles are over, the country has been stolen by madmen, and there are casualties everywhere. And two very lowly servants are charged with cleaning up the bodies. It’s the year 400—but it feels like the end of the world.

Jan-2020
Madame Defarge book, music and lyrics by Wendy Kesselman

THE STORY: In this grand retelling of A Tale of Two Cities, Dickens’ most infamous female steps into the spotlight. For centuries Madame Defarge has been read as a villainous creature waiting for her opportunity to exact revenge on an aristocratic family, regardless of which good people may become collateral. Wendy Kesselman has dared to ask: Who really is Therese Defarge, the woman whose fury catalyzed the best of times—and the worst of times?

Jan-2020
Mosquitoes by Lucy Kirkwood

THE STORY: Alice is a scientist. She lives in Geneva. As the Large Hadron particle collider starts up in 2008, she is on the brink of the most exciting work of her life, searching for the Higgs Boson. Jenny is her sister. She lives in Luton. She spends a lot of time googling. When tragedy throws them together, the collision threatens them all with chaos.

Jan-2020
The People in the Picture book & lyrics by Iris Rainer Dart, music by Mike Stoller and Artie Butler

THE STORY: Once the creator and star of Yiddish musical films in Poland between the wars, Raisel is now a grandmother (Bubbie) in ’70s New York. Bubbie longs to tell the stories of her acting troupe’s successes and heroism to her granddaughter Jenny. Sadly, her TV-comedy-writer daughter, Red, insists on leaving the past behind, unless Bubbie will talk about the events that have plagued them both since Red’s childhood.

Jan-2020
A Play Titled After the Collective Noun for Female-Identifying 20-Somethings Living in NYC in the 2010s by Haleh Roshan

THE STORY: Shirin is working on a book about post-Occupy Wall Street grassroots movements and trying not to succumb to anxiety attacks. CJ is a public defender navigating NYC’s fucked up judicial system, while trying to make time for a meaningful personal life. Elizabeth needs to finish college and figure out what to do next. Oh, also, there’s a mysterious bug infestation in the kitchen. Hashtag millennials, amirite? Putting an urgent spin on stories about “girls” in any medium, COLLECTIVE NOUN is a love letter to an unsung history of collective action and a battle cry for radically reenvisioning what it means to fight for change.

Jan-2020
Six Years Old by Sam Silbiger

THE STORY: Adalaide is six years old, and she knows a few things: Her stupid babysitter Kim is stupid, her younger brother Dewey is a naked mole rat, and she does NOT like being treated like a girl. Though Kim takes Adalaide’s frustrations seriously and tries to offer support, Adalaide’s family and peers discourage her, leaving her to seek out dangerous measures in order to transform into who she was born to be (her hero, Han Solo). SIX YEARS OLD is a comic and poignant play reflecting back on the wild fantasies and serious desires of queer childhood.

Jan-2020
Socrates by Tim Blake Nelson

THE STORY: SOCRATES is a witty and endlessly fascinating drama about a complicated man who changed how the Western world thought. This powerful play is an intellectual thrill ride from the philosopher’s growing prominence in democratic Athens through the military and social upheavals that led to one of the most infamous executions in Western history. SOCRATES is a passionate tribute to the man who continues to inspire us to question authority and defend freedom of belief.

Jan-2020
You on the Moors Now by Jaclyn Backhaus

THE STORY: Four literary heroines of the nineteenth century set conventionalism ablaze when they turn down marriage proposals from their equally famous gentlemen callers. What results is a confluence of love, anger, grief, and bloodshed, as the ensemble struggles to reconcile romantic ideologies of the past with their modern ideas of courtship. Everything you’ve learned about love from the pages of Pride and Prejudice, Wuthering Heights, Jane Eyre, and Little Women is turned upside down in this grand theatrical battle royale.

Nov-2019
Trinity College London Drama and Speech new website.

Trinity College London Drama and Speech new website.

22-Nov-2019
Our next Assessments are in February 2020 with registrations closing on 5th December.

Our next Assessments are in February 2020 with registrations closing on 5th December.

Jagriti

Jagriti is a Performance Arts space dedicated to Theatre, Music, Dance and Comedy. Founded in 2011 by Arundhati and Jagdish Raja, the space has hosted several productions from India and around the world. A 200-seat theatre, built around a full-thrust stage, it is fully equipped to cater to both artistes and audience. The main stage is designed for intimate performances with adjoining spaces for informal lectures and gatherings. Jagriti is owned and operated by the not-for-profit ART Foundation, a registered charitable trust.

The Rooftop - above the main auditorium is an open-to-sky space with a staging area that can accommodate about 50 people. A raised and walled off platform can work as a perfect area for puppet theatre. The Rooftop has a restroom and a pantry. 

The Terrace - alongside the auditorium, the Terrace can accommodate about 20 people as an informal gathering area.

Lumbini - extending out from the foyer, Lumbini has a stage and an open-to-sky terraced space for about 80 people.